TO THE LAST MAN The Home Guard in War and Popular Culture

The Home Guard, established in 1940, was intended to wage an uncompromising—and likely sacrificial—defence designed to delay a German invasion long enough for Britain’s regular forces to regroup. Yet the popular Dad’s Army television series has profoundly distorted public perceptions of this organisation. As Malcolm Atkin demonstrates in this thought-provoking and meticulously researched study, the Home Guard’s image was shaped and reshaped from its inception. Drawing on official records, contemporary accounts, literature, artwork, and poetry, and setting these alongside post-war films and historical narratives, Atkin examines how myths surrounding the Home Guard emerged and were amplified by wartime propaganda and subsequent media portrayals. He further shows how the volunteers’ distinctive gallows humour—rooted in a long tradition of self-deprecating British military culture—was lifted from its original context and transformed into the basis for the widely popular comedic representation.