The Home Guard was formed in 1940 to fight an uncompromising and essentially suicidal campaign that was to buy a few hours grace for the regular forces to re-group after a German invasion. But the Dad’s Army TV series has led to a serious distortion in the perception of the Home Guard and, as Malcolm Atkin reveals in this thought-provoking and meticulously researched book, its image was manipulated from its earliest days. Using official documents, contemporary histories, stories, artwork and poetry, and comparing these with post-war films and histories, he takes a unique perspective. He explores how the myths of the Home Guard arose and were exploited by official propaganda and the wartime and post-war media. He also shows how the strong sense of gallows-humour amongst its volunteers – which fits in with a long tradition of self-deprecating humour in the British army – was taken out of context and became the basis of the TV series.
TO THE LAST MAN The Home Guard in War and Popular Culture
A useful book about the wider impact of the Home Guard, and a gritty sometimes shocking, appreciation of the role that the Home Guard was expected to play in WW2.
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